Part 2 of our wave painting. This time add the sky, beach and frothy wave tops.

Part one of a reclining figure based on Velasquez's Venus. Begin by mapping out the main shape and start adding shadows and flesh tones. Use a minimal palette of Burnt Sienna, Ultramarine and Crimson plus White.

Part one of an impressionistic oil painting of Stourminster Mill. Find out about planning a composition and laying in underpainting. Mix greens in different colour families to help structure the distance and middle.

A Pre-recorded Oil Painitng , Misty Morning. Learn about analogous colour harmony, blending and soft textures. You will need a canvas or board, a range of brushes, turpentine and linseed oil (or water-based thinners/oil for water-soluble oils). a palette knife for mixing , Palette Colours: Ultramarine Blue, Cobalt Blue, Cadmium Red Light, Crimson, Aureolin (Lemon Yellow), Indian Yellow (Cadmium Yellow), Black, White, Ultramarine Violet (or mix blue and crimson)

Part 2 of Oil Painting Architecture. Adding the bright areas and adjusting the contrasts to allow the sun to shine