A tree painting based on a work by Richard Thorn to discover a palette of yellow and blue .

part 2 of our face study. this week add costume, hair and features using the same limited palette. Learn about making really dark mixtures.

Part one of a face study exploring a delicate palette of colour for the skin tones and strong dark contrasts elsewhere

Something flowery to remin us Spring is on the way. Soft greens, loose washes and final fine details.

St Pauls part 2. More layers to build up larger areas of shadow and tone followed by loose details and lots of windows!

Part one of a view featuring St Paul's Cathedral. Limited palette of Violets, Blue and Raw Sienna. Loose, light washes- wet into wet -shadows

Here's a guide on how to approach drawing the St Paul's Cathedral scene for our watercolour two week project,

Part two of our fishing gilr. develop different techqnies for shadows and colour mixing to bring the figure to life

part one of a figure study - girl fishing with special permission to paint. Use a simple cool palette of Raw Sienna, Raw Umber, Winsor Blue Green Shade, Cerulean, Crimson and Violet for the first wahses. Special colour Opera Rose and Yellow for the net and hat.

using a limited palette of Yellow, Blue, Raw Sienna and roze/crimson paint Central Park in the spring.

Pen and watercolour wash a scene in Dungeness. Draw a boat and then create the landscape around it. Simple grey coloured palette and black pen drawing

Paint a cool coloured winter landscape using bold wet in wet washes and final intricate, yet impressionistic, details.