Part one of a face project . This stage requires a very limited palette of Raw Umber, Cobalt Violet and Ultramarine (alternative palette Burnt Umber, Ultramarine Violet , Ultramarine) The headscarf is colouring of your coice! Leave each layer to dry thoroughly before starting he next one.

Take a wild landscape, make a small painting finding out how to simplify the de#tail and use a very limited palette of colours, Raw Umber, Ultramarine, Violet, Burnt Sienna, Green

A lively exercise in free painting, neutral colour and optical mixtures.

Part two of Bologna Night Scene. COntinue developing the sense of street lights, shadows and add detail and figures.

Part one of an architectural night scene. Palette of earth colours, blue and yellow

A beautifully coloured landsvape featuring contrasts of colour, tone and watercolour techniques.

part 2 of Watercolour Waterlilies (due to a pwercut) Continue to make this painting of water, refklections and lilies . use the nature of the water in the paint to create a generous flowing effect.

Part one of Watercolour Waterlilies - because of a power cut! Part two continues the painting to the end.

Part two of our Indian scene. This week adding shadows, details and keeping the contrast between architecture and landscape.

Part one of an architectural scene from India.

Paint boats. water and sky with soft wet in wet techniques contrasting with wet on dry details.

A colour exercise expolring cool and warm palettes on a zebra!